André-Jean Doucin (1926–2009) was a French designer active primarily during the 1960s and 1970s. Working at the intersection of design and sculpture, his practice is defined by a refined modernist vocabulary and a confident use of industrial materials such as chrome-plated metal and Plexiglas.

While he also created furniture — notably a striking chrome and methacrylate chaise longue circa 1970 — lighting occupies a central place in his oeuvre. His table lamps and floor lamps reveal an architectural approach to light: pared-down geometric structures, transparent or reflective surfaces, and carefully balanced proportions result in pieces that are both functional and sculptural.

Rare on the market today, Doucin’s works embody the experimental spirit of post-war French design and a constant search for equilibrium between formal rigor and luminous presence.